The SLAM Archives: SLAM 214 Featuring Anthony Davis, DeMarcus Cousins From March of 2018
This story first appeared in SLAM 238.
Hip-hop references have permeated the pages of SLAM since our premier issue hit newsstands back in ’94, from cover lines, spine lines and story titles to Drake being the first rapper on the cover (SLAM 198). But Issue 214 was something different.
Back when old guys like me used to go to physical stores to buy music, album covers meant everything. We would flip through CD racks and search for the joints that weren’t just what the billboard charts told us were hot. Where the opportunity to listen before you buy was often scarce, a project would be judged by its artwork instead of its content. Records that consistently stood out more than the rest were usually the work of Shawn Brauch, founder and head designer of Pen & Pixel. His distinctive style characterized the style of hip-hop coming out of the south. The designs were bold and flamboyant and captured the themes being communicated through the music, namely: women, cars and bling.
When DeMarcus Cousins joined Anthony Davis in New Orleans in early 2018, something of that southern exuberance felt like it was being recaptured. The South had something to say and pulling Pen & Pixel out of retirement was the perfect way to express it. The cover of SLAM 214 stood out on newsstands (like they usually do!) in the same way Cash Money and No Limit Records did in the year 2000. It was the perfect way to celebrate this collaboration of premier big men.
As fate would have it, Cousins tore his Achilles the day after this cover came out and the duo never quite brought what the city was hoping for. Even so, this remains one of our most iconic covers. Kevin Durant even crowned it his favorite in a recent interview.
The Boogie and AD link-up may not have created historic basketball memories on the court, but it did produce what is arguably one of our greatest covers of all time. I’m still waiting on the mixtape…
